中小企業(yè)技術(shù)改造項(xiàng)目資金申請(qǐng)報(bào)告

IntroductionI. Why do we have such course?English literature is one of the compulsory and most important courses. However, the English literature courses offered are merely taught at the level of learning general information and developing literal understanding. Admittedly, such courses help them/you a lot in their/your acquisition of the English language. But the function of English literature reaches far beyond that. In reading English literature, a student should have the power to discern how human beings translate their experience into artistic expression and representation; how writers, through their creative impulses, convey to us their insights into human destiny and human life; and how social concern is involved in a specific form of human imagination. In addition, students should elevate to the level of cultivating a curiosity for the unknown, thinking cogently and logically, expressing themselves clearly and concisely, and observing the world around them critically and objectively. But most students are still at a loss as to how they can effectively analyze a literary work by themselves in any of these respects, even though they have read plenty of excerpts from representative works in the British and American literary canon. And they tend to have little idea what role the beginning part plays in the whole story, how the plot develops and comes to resolution, in what way point of view determines a readers understanding of the story, and how the images and symbols are related to the theme. Upon consideration of these factors, we have such course with the intention of cultivating both students literary sensibilities and their /your critical power when reading English short stories and novels.II. Introduction about reading a story1. What is Story? “Yes oh, dear, yesthe novel tells a story.” This is Forsters remark, which is worth special attention, for he is someone in the trade and with rich experience. In his Aspects of the Novel he lists “story” as the first aspect. People reading novels for stories usually ask questions like “what happened next?” and “and” what would he do next?” These questions attest to the two basic elements of a story. The one is the event and the other the time. A story is a series of happenings arranged in the natural temporal order as they occur. Story is the basis of the novel, and indeed the basis of narrative works of all kinds. 2. The structure and functions of a storyPlot; character; point of view; theme; style3. What is Fiction?Fiction, the general term for invented stories, now usually applied to novels, short stories, novella, romances, fables, and other narrative works in prose, even though most plays and narrative poems are also fictional. (P. 83. Concise Dictionary of Literary Terms)4. The Story and the NovelTo read novels for story is nothing wrong, but nothing professional either. “One mark of a second-rate mind is to be always telling stories.” The remark by the French writer jean de La Bruyere (16451696) is also true of the reader. If the purpose of the novel is only to tell stories, it could as well remain unborn, for newspapers and history books are sufficient to satisfy peoples desire for stories about both present and past, and even about future. In fact, many newapapermen have been dissatisfied with their job of reporting and come into the field of novel writing. Defoe, Dickens, Joyce, Hemingway and Camus were among the most famous and the most successful converts. Even historians may feel obliged to do more than mere stories or facts. Edward Gibborns Decline and Fall of the Roman Empire is praised not only for its multitudinous facts and rationalistic analysis, but more for its beauty of narrative style. In telling stories, the novelist aims at something higher or he intends to add something to the mere “facts.” As indicated in the definition of the novel, what makes a novel is the novelists style (personalized presentation of the story) and interpretation of the story.Chapter One PlotI. What is Plot? 1. According to Aristotle what are the six elements of the structure of tragedy?Tragedy as a whole has just six constituent elements and they are plot, characters, verbal expression, thought, visual adornment, and songcomposition. For the elements by which they imitate are two (verbal expression and songcomposition), the manner in which they imitate is one (visual adornment), the things they imitate are three (plot, characters, thought), and there is nothing more beyond these. 2. What is Plot under the pens of modern novelists and storytellers? And how to understand “Plot” in a story? (“”ppt: The queen died, no one knew why, until it was discovered that it was through grief at the death of the king.P. 6 It suspends the time-sequence, it moves as far away from the story as its limitations will allow.)The story and the character alone can not make a novel ye. To make a novel, a plot is prerequisite. A look at the example suggested by E.M. Forster will help to distinguish between the story and the plot. “The king died and then the queen died” is not a plot, but a story. If we make it “The king died and then the queen died of grief, we have a plot. This causal phrase “of grief” indicates our interpretation and thus arrangement of the happenings. In the world of reality events take place one after another in the natural temporal order, but in the world of fiction it is the novelists design that one particular event occur after another particular event. The very word “plot” implies the novelists rebellion against the natural law and his endeavor to make meanings out of the happenings that may otherwise be meaningless. “The happenings” may or may not be real happenings.(So what plot is -) A plot is a particular arrangement of happenings in a novel that is aimed at revealing their causal relationships or at conveying the novelists ideas. A plot is sometimes called a story line. The most important of the traditional plot is that it should be a complete or unified action, that is, something with a beginning, a middle, and an end.3. The dramatic situation in a story.4. The three parts of a plot: a beginning (exposition), a middle (suspense or a series of suspense .foreshadowing crisis a moment of high tension), and an end(a climax, the moment of greatest tensionthe conclusionfalling action, resolution or denouement).Plot a beginning a middle an end exposition some other events climax (the moment(suspense, a series of suspense, of greatest tension,foreshadowing, crisis) the conclusion-fallingaction, resolution or denouement)II. Read the stories of Rip Van Winkle(Washington Irving) and David Swan (Nathaniel Hawthorne)III. Questions: (Finish reading the two stories and point out the plots of the two stories, the descriptive details, the exposition, characters)Rip Van Winkle1. Descriptive details: the plot of the story?2. What part of the story seems like the exposition? 3. Where does the dramatic conflict? 4. What is the climax of the story?David Swan5. the plot of the story? 6. How fully does the author draw the characters in the story? (Character traits are the qualities of a characters personality. They are revealed through a characters actions and words and through description).7. More works to do: something about the writers of the two stories.Chapter Two CharacterIn the introduction we have said that fiction is an image of people in action, moving towards an undeclared end. Thus character is always involved in fiction, even in the story of the simplest action. Sometimes character is at the center of our interest because in character we may see many facets of the people we meet in our daily life and even of ourselves. Fictional character is always character in action and the character gets into action because it is caught in a situation of conflict and he/she is always provided with motivation: he/she has sufficient reasons to act or behave as he /she does. The character is doing something and the reader while reading fiction wants to know the “why” as well as the “what” of the affairs. (Sometimes a characters motive for an action is not explained on acceptable grounds, for example, the villain in Adgar Allan Poestory “The Tell-Tale Heart,” and thus the reader feels cheated. In this case, the writer of detective fiction who makes the criminal a mere lunatic has cheated the reader by avoiding the problem of motive.) And generally, the action itself is humanly significant and it ends usually in a shift in or clarification of human values, as displayed in John Updikes “A & P,” and the motivation of a character in a storyone of the answers to the question “why”is of fundamental importance.I. What is Character?Closely related with the story is the character. Henry James said, “What is character but the determination of incident? What is incident but the illustration of character?” (The Art of Fiction”) When we read a novel, we read about our fellow beings, and that is one of the motives in reading at all. The “fellow beings” in the novel is termed characters. By “fellow beings” is meant not only “human beings” but also “other beings,” such as animals. George Orwell uses animals to represent human beings in his novel Animal Farm. Lewis Carrol creates many lovely animals in his Alices Adventures in Wonderland that appeal to both children and adults.Orwell does not intend to convince the reader that animals can speak human language or that he is a translator between animals and humans. No sensible reader, after reading Orwells Animal Farm, would go to the pigsty to look for a talking boar. This proves the agreed-on fictionality of characters in novels. So broadly, a character is an invented personality to resemble but never to equal a real person in life. It is not difficult to see that characters in novels resemble people in real life in many ways. They have names used in the same way ours are used, they have hatred and love, and they have desires and fears. Above all, they act the way we act or the way we can understand (like or dislike).But we must bear in mind that the characters are not real persons, but merely inventions, however ingenious. Compare the physical life and spiritual life of the characters and ours. We have to answer the natures call several times a day, but characters seldom do this, even in the most realistic or naturalistic novels. We have to live our life hour by hour and day by day, but characters never do this. They choose to live some time more fully than others, and are able to skip over periods on ten months or twenty years without seeming weird, a feat which we can never attempt. In our life, our minds are a gray matter even to scientists. We can not know what is going on in others mind. But in novels, the minds of the characters are open or can be made open to the reader if the novelist so chooses. The reader does not only see their clothes, but also see their minds. One character may be enemy to other characters, but he is friend to the reader, before whom he can think aloud, to borrow Emersons words. Characters do not live, but act. When we watch actors speak aloud to themselves on the stage as if they were alone, we know they are acting and they are different from what they represent in real life. The characters in novels exist in a similar manner.II. Kinds of CharactersUsually, a novel has more than one character. They interact with each other and make up the story. But they are not equally important or have the same function to the novelist. By their roles in the novel, the characters can be grouped as heroes, main characters and minor characters, and foils.The character on whom a novel is called the hero or heroine when it is a female character. The word “hero” originally refers to a man, in mythology and legend, often of divine ancestry, who is endowed with great courage and strength, celebrated for his hold exploits, and favored by the gods. In the novel, the word “hero” is freed of such noble requirements and any central characters can be labeled as heroes. Jonathan Wild is the hero in the novel of the same name by Henry Fielding, though he is a notorious highwayman. Some critics, annoyed by the connotation of “hero,” prefer the word “protagonist,” which sounds neutral. The enemy or rival of the protagonist is called “antagonist.”The main or major characters are those in close and dynamic relation with the hero or heroine. Close relation does not mean good relation. Pablo in For Whom the Bell Tolls is constantly finding中小企業(yè)技術(shù)改造項(xiàng)目資金申請(qǐng)報(bào)告企業(yè)名稱：項(xiàng)目名稱：新型高效雕刻加工工藝及制造系統(tǒng)建設(shè)項(xiàng)目申報(bào)時(shí)間：產(chǎn) 品 方 案一、我公司經(jīng)過周密細(xì)致的前期準(zhǔn)備工作，前幾年已經(jīng)投入大量的廣告費(fèi)，項(xiàng)目前期費(fèi)用為我們發(fā)展奠定了堅(jiān)實(shí)的基礎(chǔ)。我們初步設(shè)想現(xiàn)建設(shè)一期工程，一邊小規(guī)模的生產(chǎn)，對(duì)外銷售在短時(shí)間內(nèi)就能見效益?，F(xiàn)在只需部分流動(dòng)資金就能生產(chǎn)。即是在項(xiàng)目建設(shè)期我們一樣生產(chǎn)產(chǎn)品，壯大公司的經(jīng)濟(jì)實(shí)力，保證按期還款。又能一邊實(shí)施新建項(xiàng)目，建成高效率、高起點(diǎn)的規(guī)模化生產(chǎn)，使科技成果盡快轉(zhuǎn)化為生產(chǎn)力，實(shí)現(xiàn)商品化，生產(chǎn)設(shè)備建成微機(jī)控制，生產(chǎn)規(guī)模即可達(dá)到的生產(chǎn)能力。產(chǎn)品執(zhí)行部頒標(biāo)準(zhǔn)，按國(guó)家技術(shù)監(jiān)督質(zhì)量要求標(biāo)準(zhǔn)實(shí)施執(zhí)行。二、我公司擬定方案：先占領(lǐng)上海市場(chǎng)，分階段逐步實(shí)施，計(jì)劃西出、東進(jìn)、南下，同時(shí)著手南方幾個(gè)省市大市場(chǎng)，這個(gè)如此龐大宏偉的計(jì)劃，不是欠的能力所決定，而是市場(chǎng)需求迫使我們?nèi)?shí)現(xiàn)。申請(qǐng)專項(xiàng)資金的理由和政策依據(jù)我公司符合中小企業(yè)標(biāo)準(zhǔn)，所實(shí)施的項(xiàng)目符合國(guó)家產(chǎn)業(yè)政策要求；新上項(xiàng)目按照投資管理規(guī)定進(jìn)行了核準(zhǔn)備案，企業(yè)沒有違章違規(guī)行為，企業(yè)財(cái)務(wù)制度健全，銀行信譽(yù)良好。我公司新上項(xiàng)目投資全部為企業(yè)自籌，企業(yè)資金比較緊張，而且中小企業(yè)銀行貸款舉步維艱，為了更好的促進(jìn)企業(yè)發(fā)展，盡快使項(xiàng)目投產(chǎn)達(dá)效，特申請(qǐng)國(guó)家中小企業(yè)技術(shù)改造項(xiàng)目資金，請(qǐng)予以批準(zhǔn)為盼。可行性研究報(bào)告新型高效雕刻加工工藝及制造系統(tǒng)技改項(xiàng)目項(xiàng) 目 審 定：總 工 程 師：技術(shù) 負(fù)責(zé)人：經(jīng)濟(jì) 負(fù)責(zé)人：2010年4月目 錄一、項(xiàng)目概況6二、企業(yè)基本情況8三、產(chǎn)品需求分析和改造的必要性103.1 產(chǎn)品需求分析103.2技術(shù)產(chǎn)業(yè)狀況103.3 改造的必要性11四、改造的主要內(nèi)容和目標(biāo)134.1 改造主要內(nèi)容134.2 改造后達(dá)到的主要目標(biāo)134.2 產(chǎn)品采用的標(biāo)準(zhǔn)144.3 生產(chǎn)技術(shù)路線154.4配套工程16五、項(xiàng)目總投資、資金來源和資金構(gòu)成175.1 項(xiàng)目總投資175.2 資金來源175.3 資金構(gòu)成17六、人員培訓(xùn)及技術(shù)來源186.1 人員培訓(xùn)186.2 技術(shù)來源18七、項(xiàng)目實(shí)施進(jìn)度計(jì)劃207.1 項(xiàng)目實(shí)施20八、項(xiàng)目經(jīng)濟(jì)效益和社會(huì)效益分析218.1 項(xiàng)目經(jīng)濟(jì)效益分析218.2 社會(huì)效益分析22附表1 項(xiàng)目建設(shè)投資估算表24附表2主要經(jīng)濟(jì)技術(shù)指標(biāo)表25附表3固定資產(chǎn)投資估算表26附表4固定資產(chǎn)折舊估算表27一、項(xiàng)目概況金屬產(chǎn)品的高效、節(jié)能及環(huán)保加工長(zhǎng)期以來一直困繞著產(chǎn)品加工企業(yè)的發(fā)展，為了更好地服務(wù)于金屬產(chǎn)品加工企業(yè)，使其不僅具有優(yōu)美、精致的外觀，而且有利于環(huán)境保護(hù)和資源的節(jié)約。我公司新上了新型高效雕刻加工工藝及制造系統(tǒng)建設(shè)項(xiàng)目。該項(xiàng)目選用鋼鐵件及鋁件等材料，通過在全封閉環(huán)境內(nèi)進(jìn)行制模、線切割、電脈沖、綠色電鍍、數(shù)字化控制壓件、彩印、包裝等新型工藝，達(dá)到消除噪音，工業(yè)固體廢料的回收利用等作用。該技術(shù)不僅國(guó)內(nèi)領(lǐng)先，而且填補(bǔ)了目前工藝品高效節(jié)能加工領(lǐng)域的空白。該項(xiàng)目總投資3000萬(wàn)元，其中固定資產(chǎn)投資2700萬(wàn)元，用于購(gòu)置設(shè)備和租賃廠房的技術(shù)改造。為了縮短項(xiàng)目建設(shè)工期，公司投資250萬(wàn)元租賃了建筑面積為3000m2的標(biāo)準(zhǔn)廠房并進(jìn)行了技術(shù)改造。同時(shí)根據(jù)項(xiàng)目的需要，已購(gòu)進(jìn)35萬(wàn)元的設(shè)備，并與 簽訂了2300萬(wàn)元的設(shè)備購(gòu)置合同。并與簽訂了115萬(wàn)的高效雕刻生產(chǎn)線建設(shè)協(xié)議。本項(xiàng)目流動(dòng)資金投資300萬(wàn)元。項(xiàng)目達(dá)產(chǎn)后，紀(jì)念幣年產(chǎn)量可達(dá)300萬(wàn)枚，紀(jì)念章300萬(wàn)枚，年產(chǎn)值14000萬(wàn)元，可年新增銷售收入4000萬(wàn)元，利潤(rùn)400萬(wàn)元，利稅100萬(wàn)元。同時(shí)可新增就業(yè)人員30人，不僅具有良好的經(jīng)濟(jì)效益，而且社會(huì)效益顯著。本項(xiàng)目周圍主要為工業(yè)企業(yè)，無(wú)環(huán)境敏感目標(biāo)，項(xiàng)目生產(chǎn)產(chǎn)品質(zhì)量穩(wěn)定，工藝先進(jìn)，項(xiàng)目生產(chǎn)過程中實(shí)現(xiàn)了各產(chǎn)污環(huán)節(jié)的污染控制，基本符合清潔生產(chǎn)要求。二、企業(yè)基本情況是一家致力于紀(jì)念章、紀(jì)念幣等工藝品設(shè)計(jì)和制造的現(xiàn)代化專業(yè)生產(chǎn)企業(yè)。公司于1997年注冊(cè)成立，注冊(cè)資本600萬(wàn)元，現(xiàn)有職工40人，現(xiàn)有自創(chuàng)建以來始終堅(jiān)持以生產(chǎn)時(shí)尚、精致的工藝品作為企業(yè)的發(fā)展方向。擁有一批專業(yè)的美術(shù)研發(fā)設(shè)計(jì)師、工藝工程師；生產(chǎn)設(shè)備先進(jìn)，具有雄厚的設(shè)計(jì)、開發(fā)和生產(chǎn)能力，保證了郁金香品牌的時(shí)尚品質(zhì)。公司通過了IS09001：2000國(guó)際質(zhì)量管理體系的認(rèn)證，產(chǎn)品種類主要有專各類材質(zhì)的工藝品紀(jì)念章，紀(jì)念卡，金屬郵票，徽章等。公司產(chǎn)品融合了國(guó)內(nèi)外文化藝術(shù)之精華，深度涵蓋高中端客戶，深得廣大消費(fèi)者的喜愛。公司一直堅(jiān)持“以質(zhì)取勝，信譽(yù)為先”的經(jīng)營(yíng)理念，產(chǎn)品不斷創(chuàng)新，主要面向國(guó)內(nèi)大中型企業(yè)級(jí)及個(gè)人訂制產(chǎn)品，并與日本、英國(guó)、美國(guó)、澳大利亞以及港臺(tái)澳等多個(gè)國(guó)家和地區(qū)建立了長(zhǎng)期、穩(wěn)定的業(yè)務(wù)關(guān)系。公司連續(xù)多年被評(píng)為“上海市誠(chéng)信企業(yè)”；2007年7月，公司被奧委會(huì)指定為2008北京奧運(yùn)會(huì)特許經(jīng)營(yíng)商品特許生產(chǎn)商，頒發(fā)了特許證書；2009年被指定為世博特許經(jīng)營(yíng)商品特許生產(chǎn)商。我公司截止2009年12月31日的賬面實(shí)收資本為 萬(wàn)元，資產(chǎn)總額 元，負(fù)債 元，凈資產(chǎn)總額 元。2008年銷售收入 萬(wàn)元，實(shí)現(xiàn)利稅萬(wàn)元；2009年銷售收入14000萬(wàn)元，實(shí)現(xiàn)利稅 萬(wàn)元。（詳見后附的2009年企業(yè)財(cái)務(wù)審計(jì)報(bào)告）。 三、產(chǎn)品需求分析和改造的必要性3.1 產(chǎn)品需求分析以紀(jì)念章、紀(jì)念幣等為主體的工藝品市場(chǎng)是一個(gè)最具潛力、增幅較大的市場(chǎng)。進(jìn)入九十年代以來，世界旅游產(chǎn)業(yè)發(fā)展迅猛，每年以兩位數(shù)增長(zhǎng)。中國(guó)旅游產(chǎn)業(yè)更是異軍突起，發(fā)展方興未艾，令世界注目。據(jù)世界旅游旅行理事會(huì)（WTTC）向中國(guó)政府遞交的最新研究預(yù)測(cè)報(bào)告，預(yù)計(jì)2015年，即未來的十年間將增至8152億美元（約合人民幣67823億元），每年遞增10.4%。十年后，中國(guó)將成為世界第一旅游目的地，世界旅游經(jīng)濟(jì)頭號(hào)強(qiáng)國(guó)。中國(guó)旅游業(yè)在未來10年中，是僅次于IT產(chǎn)業(yè)的強(qiáng)勢(shì)增長(zhǎng)產(chǎn)業(yè)。而工藝品作為旅游產(chǎn)業(yè)中具有高附加值的產(chǎn)品，必將隨著旅游業(yè)的發(fā)展而不斷發(fā)展壯大。中國(guó)的工藝品具有歷史悠久、舉世聞名的特點(diǎn)，有機(jī)會(huì)購(gòu)買自己中意的具有濃厚中國(guó)特色的各類工藝品不失為一大樂事。綜上所述，本項(xiàng)目迎合了市場(chǎng)的需求，發(fā)展前景非常廣闊。3.2技術(shù)產(chǎn)業(yè)狀況 無(wú)論國(guó)際國(guó)內(nèi)，目前都沒有本項(xiàng)目所提出的新型高效雕刻制造系統(tǒng)。3.3 改造的必要性隨著經(jīng)濟(jì)的發(fā)展，工藝品加工及其對(duì)環(huán)境的影響成為嚴(yán)重影響產(chǎn)業(yè)發(fā)展的關(guān)鍵因素。從目前我國(guó)的金屬工藝品加工工藝來看，整體效率低下，加工自動(dòng)化控制手段和設(shè)備落后，加工過程中有害物質(zhì)或噪音對(duì)環(huán)境污染嚴(yán)重，嚴(yán)重制約著整個(gè)行業(yè)的可持續(xù)發(fā)展。面對(duì)當(dāng)前面臨的困境，必須從技術(shù)、設(shè)備等角度出發(fā)，對(duì)現(xiàn)有生產(chǎn)系統(tǒng)及其工藝加以改進(jìn)。將計(jì)算機(jī)及信息技術(shù)引入現(xiàn)有金屬工藝品加工過程，對(duì)加工設(shè)備和加工過程進(jìn)行在線檢測(cè)和控制，可以有效提高整個(gè)生產(chǎn)的效率，減少加工過程對(duì)環(huán)境的污染，提高材料的利用率和再制造能力，其主要優(yōu)點(diǎn)可以歸納如下：1）可以雕刻出傳統(tǒng)設(shè)備加工不出來的曲線、曲面等復(fù)雜工藝品。 由于計(jì)算機(jī)有高超的運(yùn)算能力，可以瞬時(shí)準(zhǔn)確地計(jì)算出每個(gè)坐標(biāo)軸瞬時(shí)應(yīng)該運(yùn)動(dòng)的運(yùn)動(dòng)量，因此可以復(fù)合成復(fù)雜的曲線或曲面。2）可以實(shí)現(xiàn)加工的自動(dòng)化，而且是柔性自動(dòng)化，從而效率可比傳統(tǒng)制造系統(tǒng)提高37倍。 由于計(jì)算機(jī)有記憶和存儲(chǔ)能力，可以將輸入的程序記住和存儲(chǔ)下來，然后按程序規(guī)定的順序自動(dòng)去執(zhí)行，從而實(shí)現(xiàn)加工過程的自動(dòng)化。3）自動(dòng)化雕刻設(shè)備只要更換一個(gè)程序，就可實(shí)現(xiàn)另一工件加工的自動(dòng)化，從而使單件和小批生產(chǎn)得以自動(dòng)化，實(shí)現(xiàn)“柔性化生產(chǎn)”。4）擁有自動(dòng)報(bào)警、自動(dòng)監(jiān)控、自動(dòng)補(bǔ)償?shù)榷喾N自律功能，可降低了工人的勞動(dòng)強(qiáng)度，節(jié)省了勞動(dòng)力，減少了工裝，縮短了新產(chǎn)品試制周期和生產(chǎn)周期，可對(duì)市場(chǎng)需求作出快速反應(yīng)等等。5）全封閉的加工環(huán)境降低了加工時(shí)的噪聲及污染物的飛濺。隨著人們生活水平的不斷提高，人們對(duì)休閑旅游的需求不斷增加，將會(huì)直接帶動(dòng)工藝品的需求，工藝品的特性化需求已將越來越多，這必將帶來工藝品生產(chǎn)周期的革命，因此，“新型雕刻工藝及制造系統(tǒng)”項(xiàng)目的實(shí)施可使金屬工藝品的生產(chǎn)周期大大縮短，并使產(chǎn)品精度、外觀質(zhì)量都有很大的提升，從而滿足人們不斷增長(zhǎng)的需要。四、改造的主要內(nèi)容和目標(biāo)4.1 改造主要內(nèi)容本項(xiàng)目主要針對(duì)金屬紀(jì)念章、紀(jì)念幣的新型高效雕刻工藝及制造系統(tǒng)進(jìn)行技術(shù)改造。本項(xiàng)目主要單項(xiàng)工程如下：工藝品新型高效雕刻柔性制造系統(tǒng)建設(shè)；工藝品制造精度在線檢測(cè)及控制系統(tǒng)建設(shè)；加工過程噪聲檢測(cè)及消除附屬工程建設(shè)；固體廢料分離、回收及處理附屬工程建設(shè)4.2 改造后達(dá)到的主要目標(biāo)通過上述單項(xiàng)工程建設(shè)，實(shí)現(xiàn)如下目標(biāo)：1. 新型高效雕刻柔性制造系統(tǒng)建設(shè)完成后，可以實(shí)現(xiàn)制造資源的快速重組，面向?qū)ο蟮募庸すに嚨目焖倬幹?，完成企業(yè)制造資源的信息化管理，實(shí)現(xiàn)單個(gè)或批量產(chǎn)品的高效制造。達(dá)到年產(chǎn)紀(jì)念章300萬(wàn)枚、年產(chǎn)紀(jì)念幣300萬(wàn)枚，年產(chǎn)值14000萬(wàn)元的目標(biāo)。除此以外還要完成銀板100萬(wàn)枚/年、鋼板200萬(wàn)枚/年、銅板300萬(wàn)枚/年、鋼材0.5t/a、油墨20kg/年的生產(chǎn)任務(wù)。2. 工藝品制造精度在線檢測(cè)及控制系統(tǒng)建設(shè)完成后，可以實(shí)現(xiàn)在制產(chǎn)品的加工精度在線檢測(cè)和加工誤差的控制及調(diào)整。3. 噪聲檢測(cè)及消除附屬工程建設(shè)完成后，可以實(shí)現(xiàn)加工現(xiàn)場(chǎng)噪聲的實(shí)時(shí)在線檢測(cè)，快速提出應(yīng)對(duì)措施，由系統(tǒng)自動(dòng)執(zhí)行指令，將噪聲控制在工業(yè)企業(yè)廠界環(huán)境噪聲排放標(biāo)準(zhǔn)GB12348-2008中的2類。4. 固體廢料分離、回收及處理附屬工程建設(shè)完成后，可以實(shí)現(xiàn)可回收固定廢料和不可回收固體廢料的自動(dòng)篩選、回收以及廢棄處理等措施，廢棄物排放標(biāo)準(zhǔn)遵循國(guó)家相關(guān)標(biāo)準(zhǔn)。4.2 產(chǎn)品采用的標(biāo)準(zhǔn)本項(xiàng)目投產(chǎn)后的產(chǎn)品均執(zhí)行國(guó)家標(biāo)準(zhǔn)生產(chǎn)。4.3 生產(chǎn)技術(shù)路線圖一 工藝流程圖主要生產(chǎn)設(shè)備明細(xì)表序號(hào)設(shè)備名稱數(shù)量（臺(tái)）序號(hào)設(shè)備名稱數(shù)量（臺(tái)）1壓縮機(jī)37砂輪機(jī)12沖床28車床33銑床39線切割機(jī)34液壓機(jī)810五色彩印機(jī)25鋸床111平面磨床26雕刻機(jī)212塑封機(jī)24.4配套工程本項(xiàng)目利用的主要為電能，不設(shè)鍋爐。用電量12萬(wàn)度/年，電源由上海市松江區(qū)供電局電網(wǎng)提供。本項(xiàng)目無(wú)生產(chǎn)用水。員工生活用水量4t/d。五、項(xiàng)目總投資、資金來源和資金構(gòu)成5.1 項(xiàng)目總投資 本項(xiàng)目總投資3000萬(wàn)元，其中固定資產(chǎn)投資2700，流動(dòng)資金300萬(wàn)元。5.2 資金來源5.2.1 固定資產(chǎn)投資來源 固定資產(chǎn)2700萬(wàn)元，企業(yè)自籌資金2455萬(wàn)元，申請(qǐng)政府撥款245萬(wàn)元。5.2.2 流動(dòng)資金來源 流動(dòng)資金300萬(wàn)元，由企業(yè)自籌。5.2.3 資金使用計(jì)劃（見附表1）5.3 資金構(gòu)成 本項(xiàng)目固定資產(chǎn)投資為2700萬(wàn)元，其中設(shè)備購(gòu)置費(fèi)2335萬(wàn)元，占固定資產(chǎn)投資的86.4%；廠房、土建工程費(fèi)及生產(chǎn)線技術(shù)升級(jí)費(fèi)為365萬(wàn)元，占固定資產(chǎn)投資的13.6%；固定資產(chǎn)投資估算及流動(dòng)資金估算分別見附表2和3六、人員培訓(xùn)及技術(shù)來源6.1 人員培訓(xùn)為了保證企業(yè)生產(chǎn)計(jì)劃的正常進(jìn)行以及企業(yè)生產(chǎn)線的技術(shù)升級(jí)潛能，公司對(duì)所有員工進(jìn)行定期培訓(xùn)，培訓(xùn)層次主要分為三個(gè)層次：知識(shí)培訓(xùn)、技能培訓(xùn)和素質(zhì)培訓(xùn)。第一、知識(shí)培訓(xùn) 企業(yè)定期舉行與公司產(chǎn)品、生產(chǎn)線及市場(chǎng)相關(guān)的講座，一般一周一次，使大部分員工能夠了解產(chǎn)品及新型生產(chǎn)線的基本情況，增強(qiáng)對(duì)新環(huán)境的適應(yīng)能力。第二、技能培訓(xùn) 公司在招進(jìn)新員工、采用新設(shè)備及引進(jìn)新技術(shù)時(shí)都會(huì)針對(duì)具體人員進(jìn)行技能培訓(xùn)，使其適應(yīng)具體的操作。第三、素質(zhì)培訓(xùn) 針對(duì)老員工，進(jìn)行針對(duì)具體目標(biāo)的培訓(xùn)，公司從總經(jīng)理到各個(gè)員工都不定期進(jìn)行輪崗培訓(xùn)，提高員工結(jié)合自身崗位有效、主動(dòng)學(xué)習(xí)的效果。6.2 技術(shù)來源公司的技術(shù)來源主要可以分為自行研發(fā)、共同研發(fā)兩類：1）自行研發(fā) 所有紀(jì)念章、紀(jì)念幣的設(shè)計(jì)及加工工藝全部由郁金香工藝品有限公司擁有核心技術(shù)和產(chǎn)品知識(shí)產(chǎn)權(quán)。2）工藝品高效雕刻制造系統(tǒng)及相關(guān)在線檢測(cè)、控制系統(tǒng)是由和xx機(jī)電工程學(xué)院共同研發(fā)完成的，郁金香工藝品有限公司擁有知識(shí)產(chǎn)權(quán)。合作伙伴xx機(jī)電工程學(xué)院以服務(wù)“長(zhǎng)三角區(qū)域經(jīng)濟(jì)建設(shè)”為宗旨，以“高效就業(yè)”為導(dǎo)向，走“產(chǎn)學(xué)研結(jié)合”道路，促進(jìn)應(yīng)用型高等教育與生產(chǎn)實(shí)踐、技術(shù)推廣、社會(huì)服務(wù)緊密結(jié)合。學(xué)院先后成立了數(shù)控技術(shù)應(yīng)用及裝備研發(fā)中心、粉體與干燥裝備研發(fā)中心和中國(guó)機(jī)械設(shè)計(jì)工程師資格認(rèn)證考試培訓(xùn)中心。通過強(qiáng)化激勵(lì)和完善科研管理制度，積極鼓勵(lì)教師開展科研、技術(shù)推廣與社會(huì)服務(wù)工作，逐步形成了一支素質(zhì)較高的科研隊(duì)伍。尤其是近幾年來引進(jìn)一批高學(xué)歷、高職稱教師，極大地增強(qiáng)了科研實(shí)力。近五年全院共承擔(dān)了國(guó)家自然科學(xué)基金、國(guó)家重大科技專項(xiàng)、國(guó)家863、國(guó)防預(yù)研和重點(diǎn)型號(hào)研制、省部基金以及橫向協(xié)作等多層次、多類型的科研項(xiàng)目70多項(xiàng)，開展了高層次的研究探索和工程開發(fā)。為國(guó)家和地區(qū)區(qū)域經(jīng)濟(jì)建設(shè)做出了重要貢獻(xiàn)。在大型復(fù)雜結(jié)構(gòu)件高速加工及抗疲勞制造技術(shù)、數(shù)控電解加工、數(shù)字化細(xì)胞注射技術(shù)、數(shù)字化設(shè)計(jì)與制造、數(shù)控技術(shù)、粉體加工、金屬制品雕刻工藝等方面形成了自己的教科研特色和優(yōu)勢(shì)。獲得國(guó)防科技進(jìn)步二等獎(jiǎng)一項(xiàng)，江蘇省教學(xué)成果二等獎(jiǎng)1項(xiàng)，常州市科學(xué)技術(shù)進(jìn)步四等獎(jiǎng)一項(xiàng)，常州市自然科學(xué)論文二等獎(jiǎng)兩項(xiàng)，三等獎(jiǎng)多項(xiàng)，校級(jí)教學(xué)成果特等獎(jiǎng)3項(xiàng)、一等獎(jiǎng)2項(xiàng)、二等獎(jiǎng)5項(xiàng)。近五年來，我院公開發(fā)表論文近300篇，被SCI、EI及ISTP收錄50多篇。 已授權(quán)發(fā)明專利10余項(xiàng)、實(shí)用新型專利20余項(xiàng)、其他專利數(shù)項(xiàng)。七、項(xiàng)目實(shí)施進(jìn)度計(jì)劃7.1 項(xiàng)目實(shí)施項(xiàng)目實(shí)施分為三個(gè)階段，前期準(zhǔn)備、項(xiàng)目實(shí)施、項(xiàng)目完成等。7.1.1 前期準(zhǔn)備階段：項(xiàng)目建議書、可行性研究。7.1.2 項(xiàng)目實(shí)施階段：設(shè)計(jì)、施工、安裝、試機(jī)。7.1.3 項(xiàng)目完成階段：試生產(chǎn)、竣工驗(yàn)收。項(xiàng)目實(shí)施進(jìn)度表序號(hào)內(nèi)容200920107891011127891011121項(xiàng)目建議2編寫可研報(bào)告3施工設(shè)計(jì)4土建施工5購(gòu)置設(shè)備6設(shè)備安裝7職工培訓(xùn)8調(diào)試9投產(chǎn)八、項(xiàng)目經(jīng)濟(jì)效益和社會(huì)效益分析8.1 項(xiàng)目經(jīng)濟(jì)效益分析紀(jì)念章和紀(jì)念幣等金屬工藝品新型加工項(xiàng)目的生產(chǎn)主要包括兩大部分，即紀(jì)念章和紀(jì)念幣等金屬工藝品生產(chǎn)和主要原輔材料生產(chǎn)。由于金屬工藝品生產(chǎn)工藝的特殊性決定，大部分紀(jì)念章和紀(jì)念幣產(chǎn)品以及原輔料只能由公司生產(chǎn)，而小部分主要原輔材料由本公司把技術(shù)轉(zhuǎn)讓給全國(guó)各大小金屬工藝品生產(chǎn)企業(yè)，由他們代為加工。他們所需要的技術(shù)革新將全部由公司負(fù)責(zé)。我們必須投資建設(shè)具有300萬(wàn)枚紀(jì)念章/年、300萬(wàn)枚/年紀(jì)念幣、100萬(wàn)枚/年銀板、200萬(wàn)枚/年鋼板、300萬(wàn)枚/年銅板、0.5t/a鋼材以及20kg/年油墨的生產(chǎn)能力的金屬工藝品制造基地，需要2條生產(chǎn)流水線，設(shè)備投資約2450萬(wàn)元，原料流動(dòng)資金300萬(wàn)元，租金250萬(wàn)元?？傆?jì)約需投資3000萬(wàn)元。 本項(xiàng)目建成實(shí)施后形成的紀(jì)念章、紀(jì)念幣生產(chǎn)能力600萬(wàn)枚/年，年產(chǎn)值14000萬(wàn)元，總成本（包括原材料、人員工資福利、水電、設(shè)備折舊、房屋租金、運(yùn)輸?shù)龋?50萬(wàn)元，單位價(jià)格1.5元/枚，利潤(rùn)100萬(wàn)元，上繳利稅33萬(wàn)元。奧運(yùn)會(huì)、世博會(huì)特許紀(jì)念品生產(chǎn)能力1.5萬(wàn)噸，總銷售額1.65億元，總成本（項(xiàng)目同上）1.5億元，市場(chǎng)銷售價(jià)格11000元/枚，利潤(rùn)1500萬(wàn)元，公司可得利潤(rùn)的40即600萬(wàn)元，上繳利稅198萬(wàn)元；預(yù)計(jì)項(xiàng)目投資回收期：稅前約為7個(gè)月，稅后約為13個(gè)月。8.2 社會(huì)效益分析本項(xiàng)目除了項(xiàng)目建設(shè)單位可獲得較高的經(jīng)濟(jì)效益外，對(duì)項(xiàng)目建設(shè)區(qū)的社會(huì)及生態(tài)效益產(chǎn)生積極的作用。本項(xiàng)目建設(shè)地點(diǎn)位于上海市松江區(qū)永豐街道，區(qū)內(nèi)水、電、通訊等“七通一平”基礎(chǔ)設(shè)施齊全，至2004年6月，進(jìn)區(qū)外資項(xiàng)目已達(dá)500家，項(xiàng)目總投資超過50億美元。在松江區(qū)永豐街道落戶的企業(yè)中85%已經(jīng)建成投產(chǎn)，且經(jīng)濟(jì)效益良好。我公司的新型高效雕刻工藝及制造系統(tǒng)項(xiàng)目，不但通過自動(dòng)化設(shè)備及自動(dòng)化生產(chǎn)新的應(yīng)用提高了生產(chǎn)效率，還充分利用在線檢測(cè)、工業(yè)殘留物的在線分離及回收再利用等手段實(shí)現(xiàn)了高效控制、環(huán)境保護(hù)以及節(jié)能。本項(xiàng)目對(duì)環(huán)境的影響分析如下：1） 水環(huán)境影響分析：本項(xiàng)目無(wú)生產(chǎn)廢水產(chǎn)生。生活污水1080t/a直接進(jìn)入市政污水管網(wǎng)，然后進(jìn)入松江水環(huán)境凈化有限公司。因此，廢水排放不會(huì)對(duì)周圍水環(huán)境產(chǎn)生影響。2） 大氣環(huán)境影響分